![]() If you want to get more creative, you can change the shape of the mask using the Shape tray within the stroke panel. From there you can drag and scale the object within the space. Choose the "Natural Size" button, which is the first one in the top row. Simply create your object or group of objects, then Copy as PDF. This is especially nice for those cases where you need to show a bit of an object – but overlaying a white object on it won't work. Bonus: Masking an objectĮxtending the capabilities of Master Objects, you can also mask those objects. ![]() Just select the objects you want to make a master, right-click them and choose "Copy as PDF". Have a footer that’s positioned different on all pages – but has the same content? Make a master. You can create objects that remain globally editable in Omnigraffle. I wrote about this before, but I think it’s freaking awesome. Then select them all, copy and choose "New from clipboard". Just draw out and color a set of boxes in Omnigraffle. Instead, I created a custom palette based on a limited set of colors I use. The swatch drawer is a fair place to keep these, but I find the little squares hard to distinguish. Despite the limited palette, it's still hard to keep the the shades and tints straight. Like most wireframes, mine are rendered in shades of gray with occasional splashes of color. Continue to do this with other tabs as you like. Double-click the tab and a small lock will appear in the bottom right. Succinctly, you can open multiple tabs concurrently within a palette. Learning to pin them open won’t solve your problems, but will make you less of a spectacle among your co-workers. Omnigraffle's palettes are the polar opposite of the double-rainbow, driving people to bouts of Tourette’s and uncontrollable sobbing. I use Indesign's version: Command-Shift-V. The keyboard command is funky, but you can override this in OS X's Keyboard Shortcut preferences. This saves you from having to sanitize it through Textmate first.
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